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Grateful Dead Live at Golden Hall - San Diego Community Concourse on 1978-01-07




Set 1

New Minglewood Blues
Cassidy
Sunrise
Passenger
Mexicali Blues ->
Me And My Uncle
Looks Like Rain
El Paso ->
Let It Grow ->
The Promised Land

Set 2

Jack Straw
Dancing In The Street ->
Samson And Delilah
Playing In The Band ->
Drums ->
Not Fade Away ->
Around And Around

Encore
One More Saturday Night


Collection GratefulDead
Band/Artist Grateful Dead
Venue Golden Hall - San Diego Community Concourse
Location San Diego, CA

Source Master Soundboard Cassette > Reel to Reel > DAT> CDR
Transferred by Scott Clugston

Notes

no Jerry vocals due to laryngitis

CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
12/26/01


low volume digiwhiz in mingle @ ~2:10

Reviews

Reviewer: hampton87 - - January 8, 2012
Subject: soundboard v aud
I listended to some of the audience recording of this show earlier in the day and was really impressed with the show. I went right for the Playing in the band listening to the aud, and was a little disappointed at first with it. But when I listened to the SB tonight it makes a world of difference. Phil's bass comes through so much better on this recording. Keith's piano is much better too. I compared Samson and Delilah also and phil's bass just rocks out on this recording! Since I gave the aud 4++ I must give this one a 4+++. Right now I am listening to the drums and they are really good. trippy duck sounds in the middle of it. I like hearing the aud recording and getting a feel for the energy of the crowd. This would make a great Charlie Miller Matrix. Why can't someone just make a martix and call it an aud so I can download it easily?
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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